Seize the Night in Season 9: Announcing Our New Workshops and Tours

Wow, can you believe it’s our ninth season of night photography adventure workshops and photo tours? It’s unfathomable how far we all have come (though we have a long way yet to go). Thank you so very much for supporting us all of these years, and we hope to see you very soon someplace awesome.

Here is a big lineup of 26 adventures and learning opportunities crafted to help you go places and be more of the night photographer you dream of becoming.

Eighteen destinations are domestic and eight are international. Yet two of the domestic destinations are outside the lower 48 states.

This year we visit five new national parks and return again to for national parks with new programming.

And whether it was by design or coincidence, we will soon be traveling to many, many islands: Bannerman, Easter, Faroe, Hawaii, Iceland, Ireland, Lofoten, Martha’s Vineyard, Monhegan and Puerto Rico.

If you’re new, or relatively new, to all of this, you might be interested in a special workshop we’re offering for only the second time next year: Our Intro to Night Photography course, this time to be held in Saguaro National Park. This workshop is for beginners to night photography. We take you step by step from exposure to focus and beyond, to get you started with seizing the night.

And one new kind of event is being offered: a night photography retreat in the Catskills that blends mindfulness, motion and creativity. Plus an all-new Rust and Ruinism tour that embraces the natural decay of human-made structure and infrastructure. We are also offering other level-up opportunities such as our Post Processing Intensive in Miami, a winter Panorama Intensive in Arches National Park and an alternate look on Death Valley.

So get ready to board planes, boats and automobiles for nocturnal adventures during 2024 and 2025.

The Workshops

Below you can read a little bit about each of the workshops we’ll be running in our ninth season. Click on the photos or the links to read even more.

If you’d like to see a lineup of all the workshops we have scheduled for 2024-25, including updates on how many tickets are available in each, see our Season 9 Workshops page:

Passport Series

These are our signature event workshops, which we hold in national parks. We teach every day, either in the classroom or on field trips, and we shoot every night in beautiful and inspiring places.

In 2024 we’ll be visiting some amazing and unique parks, including one far off the mainland, and an obscure one deep in the mountains.

Black Canyon of the Gunnison National Park

Deep, narrow and dark adorned by a crown of stars.

This workshop brings you to breathtaking views of a narrow canyon with dark, steep walls—so steep that sunlight and moonlight barely visit its bottom. We will explore its South Rim under a crescent and first-quarter moon, photographing sheer rock face culminating in the distant rush of water below.

Black Canyon of the Gunnison — June 8-13, 2024

Crater Lake National Park

An ancient volcano filled with the most pristine blue water and dark skies erupting with endless stars.

The winner of the National Parks at Night alumni "return to this park" vote! We will traverse the caldera of this extinct mountaintop volcano, focusing on the expansive Milky Way-topped vistas and massive star trails over the deepest lake in the U.S. Crater Lake is home to world-class dark skies and otherworldly landscapes.

Crater Lake National Park — July 7-10, 2024

Gateway Arch National Park and Northern Route 66

Road trip! Exploring the night at Gateway Arch National Park, the north end of Route 66, and beyond.

Route 66 is known as “The Mother Road” and was the shortest year-round route between the Midwest and the Pacific Coast when it was established in 1926. It stretched 2,448 miles, and was the first fully paved highway in the U.S. This road trip photography tour will cover the northern section of this amazing drive, traveling the entire Illinois section and much of the Missouri section, including the star of the show, Gateway Arch National Park.

Gateway Arch National Park and Northern Route 66 — October 18-23, 2024

Great Basin National Park

Bristlecone pines, mysterious subterranean passages and some of the darkest skies in the United States.

Great Basin lies just off the loneliest road in America. You don’t arrive here by mistake. Want to walk among the 4,000-year-old bristlecone trees that are just a few hundred feet from a spectacular glacier, or around alpine lakes reflecting the snowy mountaintops and the Milky Way? Great Basin reveals its true beauty among its many trails, and we’ll be hiking to experience it.

Great Basin National Park — August 8-14, 2024

Hawai‘i Volcanoes National Park

A national park on the island of Hawaii. Luxurious adventure in paradise.

The Big Island of Hawaii is simply amazing. Rainforests meet lava flows and the night sky blends into the endless ocean. From sea level to 13,678 feet, this island park has a stunning array of landscapes and ecosystems.

Hawai‘i Volcanoes National Park — June 6-12, 2024

Hot Springs National Park & the Solar Eclipse

Journey through The Natural State for the 2024 Great American Eclipse.

There is nothing like witnessing (and photographing) a total solar eclipse. The temperature suddenly cools, your skin tingles, and the entire world stands still and collectively holds its breath. It’s surreal and spectacular. We’ll be deep in the zone of totality at Hot Springs National Park, where the eclipse is predicted to last for 3 minutes, 39 seconds. Prior to that we’ll visit the dark sky park of Buffalo National River and get a better understanding of why Arkansas definitely lives up to its nickname “The Natural State.”

Hot Springs National Park & the Solar Eclipse — April 2-9, 2024

Yellowstone National Park North

The world’s first national park. Clear skies, mountains, canyons, geysers and wildlife—this park has it all.

Yellowstone has pretty much everything a nature photographer could want to shoot, and we're going after it all! Explore the northern half of this epic park, where mountains reach high and valleys bottom out to beautiful rivers that meander through grasslands. We'll also explore waterfalls, geysers, hot springs, vast landscapes and more, under tantalizing Wyoming night skies.

Yellowstone National Park North — September 2-7, 2024

Adventure Series

The U.S. has other amazing places to shoot at night outside of national parks, and we like visiting those too. National monuments, national forests, scenic byways, urban ruins and more.

Our upcoming Adventures include a lighthouses workshop on an Atlantic island, a winter week dedicated to panoramas and a black-and-white adventure in the Deep South.

Arches: Panorama Intensive

Master panoramas in winter at Arches National Park.

Join us for a masterclass in panorama photography—during the night and daytime, combining big sky, high desert, natural stone and earth formations to form unforgettable images. This is a small class size with big results for those who aspire to master this craft inside and out.

Arches: Panorama Intensive — February 16-21, 2024

Bannerman Island

Spend an overnight photographing a historic castle in the middle of the Hudson River.

Just 1.5 hours north of New York City rests one of the most impressive ruins in New York state: Bannerman Castle. Built at the turn of the 20th century, it served as an armory, warehouse and mystery to those passing along the Hudson River. This is a rare opportunity to spend the night on an inspirational island and create epic night photos of the castle until the dawn breaks the evening sky.

Bannerman Island — June 15-16, 2024

Catskill Night Photography Retreat

Align your inner and outer stars on creativity.

Combine the craft of night photography with mindfulness and physical motion for a relaxing, invigorating creative reset. Join us for a unique experience: a night photography retreat in the beautiful Hudson Valley of New York and the Catskill Mountains.

Catskill Night Photography Retreat — October 25-27, 2024

Death Valley Alternate Tracks

Jump into a Jeep and explore the lesser-visited gems of this incredible landscape, from ghost towns to canyons to sand dunes and more.

Death Valley is the largest national park in the continental U.S., yet most photography workshops tend to visit the same spots again and again. The park has a lot more to see, and this workshop is going to see it. We'll be avoiding the usual hotspots in favor of driving to and photographing other amazing sights around the park, from a volcanic crater to a Joshua tree forest to an old salt mine and more. Even (believe it or not) a desert waterfall!

Death Valley Alternate Tracks — December 2-7, 2024

Intro to Night Photography: Saguaro

Learn the fundamentals of night photography in one of the most fun national parks for practicing the craft.

You’ve almost certainly seen night photos on Instagram. Photos of beautiful points of stars, a stunning Milky Way, light-painted cactuses with their arms stretched to the sky. If you’ve dreamed of making photos like these, but you’ve never tried, or you’ve tried and failed, then we’re here to help. Join us in Saguaro National Park, the national park jewel of the Sonoran Desert, for five nights of learning how to shoot in the dark.

Intro to Night Photography: Saguaro — October 18-23, 2024

Lighthouses of Martha’s Vineyard

Immerse yourself in a location where lighthouses, sunsets and stars are the everyday and everynight life!

We'll start in western Cape Cod, with 2 nights of private access to a privately owned lighthouse, then we'll ferry over to Martha's Vineyard to embrace island life with bright blue skies, plenty of sandy beaches, the smell of fresh seafood and of course more lighthouses to photograph! For an additional 4 days and nights, we'll explore the island and photograph four of its iconic and historic beacons.

Lighthouses of Martha’s Vineyard — April 28-May 4, 2024

Monhegan Island

The fishing vessels. The hilltop lighthouse. The clapboard cottages. The spectacular dark skies. All 10 miles from shore on the quaint Monhegan Island.

National Parks at Night returns to Monhegan for a full five-night workshop on one of our favorite islands. Monhegan is a place that people go back to over and over again. It’s hard to stay away for long. We’ll explore this peaceful oasis entirely on foot, covering subjects such as the local lighthouse, the village, the waterfront cliffs and a nearly century-old shipwreck.

Monhegan Island — August 30-September 4, 2025

Puerto Rico

Discover the beauty and tranquility of the island of Puerto Rico, even more dazzling under pristine Caribbean skies.

From the bustling urban streets of San Juan to the serene coastal landscapes, you’ll capture the island’s diverse beauty under the moon and stars. Iconic lighthouses along the coast, bioluminescent bays aglow in the night, diverse nature preserves and the remnants of former plantations offer a rich canvas for your nocturnal photographic explorations. Days will be spent experiencing the vibrant culture and one-of-a-kind mix of West African, Caribbean, Spanish and mainland American cuisine.

Puerto Rico — March 17-25, 2024

Rust and Ruinism

Past, present and the beauty of decay. Peel back the past as we explore bygone American relics of the Midwest.

Rust and ruinism find their allure in the beauty of decay. From the period architecture of the Mansfield Penitentiary and the Trans-Allegheny Lunatic Asylum to the arrested deterioration of the mighty Carrie Furnaces, we’ll photograph some of the best urban decay in Ohio, West Virginia and Pennsylvania.

Rust and Ruinism — June 23-28, 2024

Savannah in Black and White

One of the most charming, historic and photogenic cities in the U.S., glorious in black and white.

Founded in 1733, Savannah is one of America’s oldest cities and is steeped in history. From its Civil War forts and antebellum architecture to its cobblestone streets and city squares, this jewel of the south is a photographer's playground.

Savannah in Black and White — November 10-15, 2024

Voyager Series

As much as the U.S. is beautiful and dynamic, so is the rest of the world. We’re always on the lookout for beautiful landscapes and fascinating cultures to immerse ourselves in, especially in the dark. Over the next two years (we plan these trips a little further out), we’ll be heading to overseas destinations that range from northern European islands to northern Africa and more.

Denmark

Long days and pleasant twilights in Denmark’s cities and coastlines.

Twelve days and 11 nights of great experiences and more in a big adventure in a small Scandinavian country. We’ll spend time in small villages and along the beaches, and we’ll explore the long summer twilights with the country’s varied and iconic lighthouses. From city to country, shoreline to shoreline, you’ll see and eat your way through the world’s oldest monarchy.

Denmark — July 7-18, 2024

Easter Island

Be among the privileged few who get to hang with the moai under the stars.

Few places on earth are as mysterious or compelling as Easter Island. The giant stone figures known as moai oversee this remote island 2,200 miles off the coast of Chile. Most of Rapa Nui, as it’s known to the locals, is a national park. Not only is it hard to get to Easter Island, it is notoriously difficult to access the park after the sun goes down. But we will be taking a lucky group of fellow night photographers on this rare opportunity of spending an unforgettable week with the moai.

Easter Island — February 10-17, 2025

Faroe Islands

Explore and photograph the mystical Faroe Islands, in the dreamy North Atlantic waters of Scandanavia.

The Faroe Islands offer some of the most dramatic landscapes in the northern hemisphere. Faroe is an archipelago of 18 windswept islands between the Shetlands, Iceland and Norway. Mostly long and narrow, the islands rise steeply from the sea, with villages along the coastline wherever there is safe harbor. Many of the islands are connected by undersea tunnels, and villages on opposite ends of individual islands are connected by tunnels through the mountains.

Faroe Islands — May 11-20, 2024

Ireland: County Mayo

Explore the best of the west of Ireland on this 8-night tour of County Mayo.

This tour is based in Westport and Ballina, two charming towns of County Mayo, the gem of Ireland's west coast. From there we’ll make daily excursions to far-flung places such as Achill Island in the north and the edge of Connemara in County Galway to the south. Ruined abbeys, the castles of Mayo’s legendary Pirate Queen Grace O’Malley, and deserted-village timescapes all await.

Ireland: County Mayo — April 15-23, 2024

Lofoten Islands

The Lofoten Islands, a majestic mountain archipelago of dramatic landscapes, unspoiled beaches and winter wonderland.

Our favorite location to experience the auroras, which have been climbing to a solar maximum over the last few years. This will be a winter workshop focused on photographing the rugged snow-covered mountain islands, northern lights, pristine fisherman huts, and the untouched beauty of this remote and breathtaking region of the world. March is a perfect time to visit Lofoten—the milder winter temperatures make the overall experience ideal for catching the auroras over a snow-globe winterscape.

Lofoten Islands — March 12-20, 2024

Morocco

Morocco’s mysteries will be revealed in this immersive 2-week exploration of the palaces, gardens, mountains, coastline and desert.

Majestic Morocco. Colorful spice markets, ancient earthen kasbahs and medinas, and a city painted blue are just a few of the mesmerizing locations we’ll explore. From the hustle and bustle of the markets to the starry skies of the Sahara and on to the Strait of Gibraltar, our trip will leave you with incredible memories (and photographs) of the people, places and food that have made Morocco such an exotic destination for so many years.

Morocco — November 10-24, 2025

Iceland: Westfjords

Puffins, herring factories and blueberries, oh my!

The northwest corner of Iceland is a dazzling and deeply indented coastline featuring about 30 fjords, each with different surprises awaiting discovery. We’ll visit the best place in Iceland to see puffins, spend 3 nights in a hotel that once housed herring workers, photograph waterfalls, swim in a geothermal swimming pool and wander some of the most magnificent landscapes you’ll ever see.

Iceland: Westfjords — September 7-13, 2024

Iceland: Westfjords Camping

Arctic foxes, waterfalls and auroras—oh my!

Immerse yourself even more fully into the remotest part of the remotest part of Iceland: the Hornstrandir Nature Reserve. We’ll camp in style during a fully catered experience in this sub-arctic wilderness. Days will be spent observing and photographing arctic foxes, as well as hiking through the valleys and up into the hills along the ubiquitous cascading waterfalls. There will be a night in Reykjavik with a welcome dinner, and a night on either end of the camping experience in Isafjordur, the largest town in the Westfjords.

Iceland: Westfjords Camping — August 31-September 7, 2024

Skills Series

All of the aforementioned workshops and tours focus a lot on exploration. Our Skills Series events focus on learning something specific—still in an inspiring place, but we focus on a precise skill set. Next year in this category we’ll be teaching post-production on the beautiful shores of Miami.

Post-Processing Intensive: Miami

Master photography post-production with a week on the South Florida coast.

You’ve spent a lot of time building your camera skills and honing your photographic vision. Now it’s time to take it to the next level. Over 6 days in the heart of sunny Miami, we'll teach all the skills needed to use modern technology to finish our photos, and even to create images that were impossible only a few short years ago.

Post-Processing Intensive: Miami — November 11-16, 2024

A Few Notes

Before we get into the specifics of the workshops, we’d like to share a few ideas.

How are Some Already Sold Out?

As a special thank you to those who attend our workshops, who sign up for our waitlist and who subscribe to our email list, every year we announce our itinerary to those three groups before “going public.”

This year, as usual, our community has committed very strongly to many of the workshops. (Our gratitude is infinite.) Because of that, nine of our new workshops and tours sold out during the past week. Additionally, two other events were announced last year and sold out some time ago.

Still, as of press time, 15 of our Season 9 workshops and tours still have seats left, so it’s easy to join us in amazing places such as Gateway National Park and Northern Route 66, Morocco, the Faroe Islands, and more!

If you really want to go to one of those other places with us …

We Can’t say it Enough: Use the Waitlist

Openings happen for almost every workshop, and those spots always get offered to the waitlist first. If you see something you really want to attend and there are no tickets now, we urge you to sign up for the waitlist today.

Seize the Night in Season 9

As we wind down our 2023 itinerary, we’re looking forward to a winter break from travel, followed by an epic Season 9 full of adventures and stars.

Where will you be joining us? Wherever the destination, we’re looking forward to seizing the night with you soon.

Matt Hill is a partner and workshop leader with National Parks at Night. See more about his photography, art, workshops and writing at MattHillArt.com. Follow Matt on Twitter Instagram Facebook.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

To 100 and Beyond: A Centuple Celebration of 8 Years of Workshops

In 2015, the five of us partners at National Parks at Night had our first meeting, and in 2016 we ran our first five workshops together: chronologically, at Acadia, Zion, Crater Lake, Arches and Death Valley national parks. Tonight, at Bannerman Island in New York, we will run our 100th workshop.

During these 8 years and 100 adventures, we have met and formed bonds with over 700 night photographers who have joined us. They are the people who have made the National Parks at Night dream possible, and our gratitude couldn’t be grander.

With that feeling in our hearts, we never considered celebrating our 100th workshop without our attendees. We instead wanted to host a party to mark the milestone and invite all of our alums to attend. And that’s precisely what we did this past Thursday in New York City.

More than 60 members of the NPAN community gathered in Midtown Manhattan to share our common bonds and the friendships we’ve all developed during this run. There were people who have attended many workshops together, people who haven’t seen each other in a few years, people who had never met before the party—and even one person from our first workshop who we got to see for the first time since then!

We started with a soiree hosted in the studios at NYC Salt, a non-profit high school photography program for underserved youth. (Gabe has been a volunteer for them for over 10 years and the program has assisted in getting many students into college for the first time in their family. If you’re not familiar with NYC Salt, definitely check out their work and their mission. You’ll be inspired—and if you’re inspired enough to help them in some way, all the better!)

Our guests were greeted with some new NPAN swag: a North Face beanie and a special “100 and Beyond” pin commemorating our Centuple Celebration. A few of our longtime brand partners were there as well: B&H Photo, Luxli and Benro all stopped by to share some gifts (more on that below), and Canon was on hand to make two free 18x24 prints for all the partygoers on Red River Polar Glossy Metallic paper.

Everyone mingled, enjoying conversation, along with wine, cheese and a buffet of light food graciously prepared by four of our five significant others (thank you Nancy, Angela, Katherine and Mabel!). In the corner a large-screen television displayed a looping slide show of the group photos from all of our workshops, as well as over 400 photos of attendees at the workshops.

Photo courtesy Angela Weir.

Toward the end of the party the gathering circled Gabe, who emceed some gift-giving. Many of our sponsors also wanted to thank our attendees for their support over the past 8 years. Between them, Acratech, B&H, Benro, Coast Portand, Focus on Stars, Luxli and Tether Tools sent 23 giveaways!

We topped off the afternoon by heading to the roof, where NYC portrait artist Adam Chinitz photographed the group in front of the city skyline.

Photo courtesy Adam Chinitz.

After the party we met at the delectable Pier 57 food court, where everyone broke into groups for dinner. Afterward we continued the roof theme by riding the elevator to the top of Pier 57 and stepping out to a magnificent view of the NYC skyline. We shot there for about an hour, then moved to Little Island, an artificial island park on the eastern shore of the Hudson River, where we shot some more.

Photo courtesy Katherine Moxhet.

The evening ended, and we once again exchanged farewells and until-we-meet-agains with a group of the finest folks we could imagine adventuring with.

One hundred workshops. Wow. At our first meeting in 2015, I don’t think any of us five imagined that number. But here we are in 2023, now dreaming of 200.

For all of you who have shared this ride with us, we thank you. And for those of you who have not shared the ride yet—welcome aboard! We are all eager to welcome you into this dynamic and engaging community, and to seize the night together, to 200 and beyond.

Chris Nicholson is a partner and director of content with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015) and Photographing Lighthouses (Sidelight Books, 2023). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

The Night Photographer's Guide to Star Stacking (Part III)

Note: This is the third in a three-part series about creating star trails with the stacking technique. Part I covered how to shoot the raw materials. Part II demonstrated how to edit the individual frames in Lightroom and Photoshop to create the star trail stack. In Part III, below, Tim explains how to clean up artifacts that can occur when combining these images in Photoshop.


This is the third and final installation of our three-part guide to star trail stacking. We hope you have enjoyed the series so far. For those of you who didn’t catch Part I and Part II, we recommend reading those blog posts before you jump in here, so that you are up to speed with the capture and initial processing steps.

This method of creating star trail images is versatile and comes with many advantages, but it can also result in artifacts that need to be corrected in order to create a polished final image—things such as plane trails and stray light, which can appear on individual frames during capture.

Star trails over Animas Forks, Colorado. Nikon Z 6II with a Nikon Z 14-24mm f/2.8 S lens at 15mm. 17 stacked frames shot at 4 minutes, f/2.8, ISO 640.

While the fact that these artifacts exist at all might make you question whether to use this technique to begin with, the opposite is true: These problems can appear in any long exposure of the night sky, and the stacking technique gives you more power to remove them in a way that doesn’t harm your final image.

Indeed, that we can remove common artifacts from individual layers is a great reason to choose the technique of shooting multiple shorter exposures and stacking them together in Photoshop rather than shooting one long exposure.

In This Video

In the following video I’ll cover:

  • exporting your images from Lightroom into Photoshop

  • changing blending modes to create the initial star trail composite

  • identifying and working on individual layers

  • removing plane trails from individual layers using the Spot Healing Brush

  • the difference between layers and masks

  • creating layer masks and using the paintbrush to remove unwanted items that appear on individual frames

  • using selections to remove unwanted items that appear on individual frames

  • streamlining the editing process by grouping layers

  • using color labels to mark important layers

  • when to flatten your image and when to retain the layers

  • creating a composite layer to enable edits that can’t be done to multiple layers

  • renaming your Lightroom files to reflect the file’s status

Your Turn

Have you been creating star trail images using the stacking technique? We’d love to see your photos! Share in the comments below, or on our Facebook page, or on Instagram (tag us @nationalparksatnight #nationalparksatnight #seizethenight).

Tim Cooper is a partner and workshop leader with National Parks at Night. Learn more techniques from his book The Magic of Light Painting, available from Peachpit.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Out of and Into the Dark: Wrapping Up Nightscaper 2023

What happens when 200 night-minded people converge in Kanab, Utah, for the Nightscaper Photo Conference

Well, stellar things of course! And just like when we prepare for an epic night of photographing under the stars, unexpected happenings occurred that provided even more opportunities for us to “seize the night” with old friends and new.

Gratitude

Before we recap the 4 days and nights of Nightscaper 2023, we want to thank the 22 speakers who provided so much inspiration and education on a variety of topics, from deep space tools and techniques to more down-to-earth topics such as planning successful night shoots, tracking and processing panos, sculpting light, saving our stars, and the business side to kickstarting your night photography career. 

Another thank you to our 20 sponsors that provided over 35 prizes and incredible hands-on opportunities to try out the latest products to help us reach for the stars:

Shawn from Canon printed attendees’ amazing night photographs.

  • Canon ImagePrograf was probably the busiest vendor, as Shawn was constantly printing free 18x24-inch prints on our new favorite paper, the Red River Polar Gloss Metallic, which made everyone’s stars really shine.

  • Peter from Shimoda showed the brand new Action X V2 bag for the first time in public, and everyone was eager to figure out which size fit their night kit the best.

  • Brenda from Calibrite offered free display calibrations.

  • Fotopro and Novoflex showcased a veritable forest of tripods for people to try.

  • Michael from Benro co-presented an engaging discussion about noise, including the influence of AI in cleaning up night images.

  • Erik from KelbyOne shared his epic rocket photography images and gave us even better insight about the best apps for predicting clear dark skies.

  • Clarence from Spencer’s Camera offered a course on how to get the most from astro-modified cameras.

  • David from Action Photo Tours walked attendees through a practical approach to creating time-lapses.

  • Bay Photo Lab came up huge by creating the most unique aluminum badge for all in-person attendees, while Patrick showcased a variety of surfaces for us to print our best night photos on.

  • Our friends at B&H Photo, Max and Michael, showcased the latest night-centric gear and of course offered those amazing B&H deals.

4 Days of Conferring

The 4-day conference schedule (May 18-21) included two tracks and over 30 classes for nightscapers to choose from. Determining which class to sit in on was a challenge at times, but knowing that all the sessions were being recorded for streaming replays allowed us not to suffer too much from the fear of missing out.

Beyond the education, the common through-line during the event was community. People from all over the world converged to “collab in Kanab” (thanks to Max for that turn of phrase!)—whether that was in between sessions, over the many meals we shared, or during the multiple night shoots that were organized by speakers and attendees. The weather was mostly cooperative for people to meet up and photograph the many sites around Kanab and the Grand Staircase-Escalante region.

Dan Zafra teaching tracked Milky Way panoramas.

One of the highlights of opening day was when we broke the fourth wall between the speakers and audience and offered a “Tales of the Night” session, where in-person attendees could share an image on the big screen, then stand up and take the mic to reveal the vision behind their photo. The variety of work shown sparked conversations as we found even more common bonds with our newfound family. 

Another highlight was the Star Party we co-hosted with Amazing Earthfest and the International Dark-Sky Association (IDA) on the second night. Everyone enjoyed sharing the 10 telescopes locked in on key features in the sky, set up along a section of abandoned highway in the desert. Bettymaya Foote from IDA and Rich Csenge from Amazing Earthfest took us through twilight with demonstrations on what we can all do to limit light pollution in our hometowns and backyards. Starlink was “kind enough” to schedule their latest launch of satellites during the star party, which created many oohs and ahhs.

Gazing at the stars with Nightscaper Photo Conference, Amazing Earthfest and the International Dark-Sky Association.

However, we couldn’t have planned for one of the most unique night experiences ever. On the third night of the conference, the local power company scheduled a planned outage from midnight to morning so they could work on upgrades to the grid of several local counties. This included Kane County and Kanab, which most likely inconvenienced the 5,000 locals. But for the 200 Nightscapers in town, it was a golden opportunity to capture the Milky Way rising over Main Street. 

This ended up being my favorite night, as I wandered the streets safely greeting Nightscapers and seeing what they were creating under such rare conditions. It made us dream of what a true IDA dark sky city would look like.

Milky Way and Main Street, Kanab 2023. Nikon Z 6II with a Nikon Z 24-70mm f/2.8 lens. 6 seconds, f/3.2, ISO 12800.

As it turned out, the updates to the grid still needed some fixing. The next morning, after about seven slides into my talk titled “Inspirations Beyond the Milky Way,” the power went out again. In the darkness with only a battery-powered spotlight shining on me and no images on the screen, I pivoted and told some of my own tales of the night. I tried to paint a picture of my favorite photos and adventures under the stars—stories that are of course similar to what many nightscapers have experienced. In the darkness of the room, I no longer felt like we were in a conference center, and I imagined what humans have been doing for many a millennia: telling stories under the stars. I could feel energy and love from our nocturnal family.

Night photography can be a solo sport, but at Nightscaper we discovered that we were not alone in the universe. We are united by a common passion and we have so much to learn from each other. We are still very young at exploring the night, but we are going to seize each and every moment.

Speaker Jess Santos working with an attendee in a portfolio review.

’Til Next Time

Whether or not you attended the Nightscaper Photo Conference, we are all connected. There is a comfort knowing we are not the only ones who have a passion for staying up to all hours of the night. We invite you to join the conversation either in the comments below or by tagging #nightscaperconference socially when you share your images and stories. 

If you are interested in watching any of the replays from Nightscaper, you can still purchase a ticket here. The replays should be ready in about a week, and they’ll be available for streaming for 1 year after the conference ended.

We are already making plans for the next Nightscaper Photo Conference family reunion. Stay tuned to this blog for more!

Gabriel Biderman is a partner and workshop leader with National Parks at Night. He is a Brooklyn-based fine art and travel photographer, and author of Night Photography: From Snapshots to Great Shots (Peachpit, 2014). During the daytime hours you'll often find Gabe at one of many photo events around the world working for B&H Photo’s road marketing team. See his portfolio and workshop lineup at www.ruinism.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Five Questions: Nikon Z 8 for Night, Perseids, Aurora Apps and More

The night photography world is full of questions, and we’re happy to help with answers.

This installment of our “Five Questions” series features inquiries about the new Nikon Z 8, locations to shoot the Perseids, aurora apps, filter systems and an Irix lens.

If you have any questions you would like to throw our way, please contact us anytime. Questions could be about gear, national parks and other photo locations, post-processing techniques, field etiquette, or anything else related to night photography. #SeizeTheNight!


1. The Nikon Z 8 and Night Noise

Question:

Since the Nikon Z 8 was announced this week, do you have an opinion about it with respect to night photography and noise, and how it compares to Nikon’s other mirrorless cameras? I’m currently shooting with a D850, which I really like but it’s getting long in tooth. In your opinion, what is the best high-res Nikon mirrorless camera for night photography at this point? — Jeff

Answer:

Three of our team members shoot with the Nikon Z 6II, one with the D780 and one with the D5. Between all of us, we’ve shot the Z 7 and Z 9, but none of us owns one, and none of us intends to own one. That tells you something about our preferences, but it doesn’t mean those are bad cameras, even for night photography. Shooting priorities matter.

We haven’t done methodical comparisons between the Z models, and the Z 8 is not yet shipping, so we have no experience with that model. But from our experience shooting Z cameras, here’s what we know:

We have found that the Z 6II has a slight edge in high ISO characteristics, with the Z 9 not that far behind. The Z 8 features the same 45.7-megapixel full-frame sensor and Expeed processor as the Z 9, so the former should perform as well as the latter does for a high-resolution camera at night. In other words, the Z 8 is kind of a mini Z 9, so we’d expect the same results.

That would mean the Z 6II would still be the best option for low-light photography in terms of high ISO noise, all things being equal.

However, all things usually aren’t equal. There is a lot that goes on in determining the best noise characteristics of any given camera. You could do a side-by-side test by shooting the same scene with all of same parameters, but that may not be the best test for night photography.

For example, when shooting to freeze star points, you need to use a faster shutter speed on a camera with a higher pixel count than you would on one with a smaller pixel count to achieve the same visual result. This means you need to use a faster ISO on that higher-resolution camera. Now you are no longer comparing apples to apples.

The Z 8 autofocus is sensitive down to -9.0 EV, making it the best camera autofocus for low-light photography.

There are other considerations with the higher pixel count as well. Such as:

  • Do you like to do a lot of star stacking? High-resolution files can really bog down that process due to their sheer size.

  • Do you like to make giant prints? If so, a higher-resolution camera could be a great choice.

  • Another consideration would be the better low-light focusing the Z 9 and Z 8 have—a feature called “Starlight View.” If you have trouble focusing at night, this capability alone may trump everything else.

  • The Z 8 simulates the Z 9 in high-speed capture, advanced auto-focusing capabilities and superhigh-resolution video. If you like to shoot sports and wildlife in addition to night photography, those robust features would be a huge asset.

In short, we have not shot with the Z 8 yet so we can’t really say how it will compare with the other Z models. We do look forward to getting our hands on one and putting it through its paces, but seeing as none of us shoots with the other higher-resolution cameras, my guess is that our collective preference will remain the Z 6II. — Tim

2. Perseids from the Curb

Question:

Can you recommend someplace I could go to photograph the Perseid Meteor Shower where I’d have the possibility of an outstanding foreground and dark sky for the meteors? One caveat: I have a knee issue. — H.

PhotoPills confirms that Great Sand Dunes National Park could be a great Perseids option.

Answer:

It sounds like you need a good roadside location. You also definitely need someplace with a north/northeast view and no light pollution in that direction, nor a mountain range blocking the sky.

Great Sand Dunes National Park is awesome for those criteria. You can shoot roadside and have the dunes in front of the mountains with the sky above. I’d even be tempted to attempt a vertorama with a blue hour bottom and star field above.

Badlands National Park also has some spectacular pull-outs where you could do the same. The beaches of Olympic National Park fit the bill, but the ones with the best foregrounds require at least a little bit of a walk, and slippery stones may be troublesome if the tide is receding. At Crater Lake National Park, shooting from the lodge over Wizard Island could be amazing. — Matt

Note: For more information about shooting meteor showers, be sure to check out our e-book Great Balls of Fire.

3. Tracking Auroras

Question:

Can you share the aurora tracking app that you use? — Deborah C.

Vatnajokull National Park, Iceland. © 2023 Chris Nicholson. Nikon D5 with a Nikon 14-24mm f/2.8 lens. 4 seconds, f/4, ISO 6400.

Answer:

The answer is ... several! I’m on Android, and I use My Aurora Forecast. Lance, Tim and Matt are on iPhone, and they use Aurora Forecast (Lance, Tim), My Aurora Forecast & Alerts (Matt) and SpaceWeatherLive (Matt).

We recommend using more than one. Pooling info from different sources can give a more accurate picture of what might happen and where. Also, it can be nice to set up an automated alert—sometimes we can end up shooting auroras on a night we didn’t know they’d happen. — Chris

4. Finding a Filter System

Question:

I’d like to get a filter system that works with my lenses—primarily an 82mm and 95mm. But I also have a very concave lens (the Sigma 14-24mm f/2.8), so I’m thinking I need a 150mm system. — Rachna

Answer:

Welcome to the wonderful world of filters! This is a great way to extend long exposures during the day and night.

I’m a fan of square systems, as they offer the most versatility. Going down the path you suggest, I suggest you invest in these three things:

  1. NiSi 150mm Filter Holder for Sigma 14-24mm lens

  2. the adapter rings for 105mm, 95mm and 82mm filter threads

  3. Starter Kit that includes 6-stop, 10-stop and 3-stop graduated 150mm neutral density filters

This is pricey but gets you everything you need, albeit in a big kit. (Most people who invest in 150mm filters find them cumbersome, but that’s the way it goes.)

Alternatively you can use rear ND filters for the Sigma and then use 100mm filters for your other lenses. This would be more cost-efficient, as well as a smaller footprint on your lenses and bag. The caveat is that there are no rear graduated ND filters, so scenes that would normally call for them would need to be shot with multiple exposures and blended in post.

But if you do choose to go that way and use a 100mm square filter system, the NiSi V7 Advance Kit includes pretty much everything you would need except the 95mm adapter. However, the caveat with this system is that the circular polarizer will work only with lenses 82mm or smaller.

Another thought is that most mirrorless lenses are smaller than their DSLR counterparts, and they don’t have bulbous front elements. Therefore, switching to mirrorless also facilitates a more compact and cost-efficient filter system.

Finally, why do I keep recommending NiSi? There are lots of filter systems that are great. I happen to like NiSi because they are a good value. I’ve been using them for more than 5 years and couldn’t be happier. — Gabe

5. Eyeing the Irix 21mm

Question:

I have a Canon R6 mirrorless camera and I’m looking for a good, fast astro lens. I noticed you recommended the Irix 15mm f/2.4 lens. Is the Irix 21mm f/1.4 good for astro too? — Jim

Answer:

I’ve shot with the Irix 15mm for years and am quite fond of it. You need to stop down to f/3.2 to eliminate most of the coma. I have not shot with the 21mm yet but will be receiving one soon. Based on their other f/1.4 lenses, I’d expect that you’ll need to stop down to f/2.8 or thereabouts to minimize the coma.

The main thing for you and the R6 is that these lenses are DSLR-mount only. If you don’t mind using the adapter, then I’m sure either would be a great lens for you—the choice just depends more on your style of shooting. The 15mm focal length is quite wide, so you really need a foreground.

My first choice would be the Canon 15-35mm f/2.8, which wide open should get you coma similar to the stopped-down Irix lenses. But if that is not in your budget, I’d go with whichever of those Irix lenses fits your shooting style the best. — Lance

Chris Nicholson is a partner and director of content with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015) and Photographing Lighthouses (Sidelight Books, 2023). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

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